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As it turns out, there is a lot of art out there that I have loved or at the very least respected throughout the years, that consciously draws on Chaos Magic as a philosophical/aesthetic influence.
Another example of applied Chaos Magic in the artistic process, not mentioned in the article, is Brian Eno’s “Oblique Strategies” - whenever stuck creatively, you draw a random card that might say things like:
“Honor thy error as a hidden intention”,
or
“Convert a melodic element into a rhythmic element”,
or
“Accept advice”.
And speaking of the world of German baroque music:
Why is it that the world never remembers the name of Johann Gambolputty de von Ausfern-schplenden-schlitter-crasscrenbon-fried-digger-dingle-dangle-dongle-dungle-burstein-von-knacker-thrasher-apple-banger-horowitz-ticolensic-grander-knotty-spelltinkle-grandlich-grumblemeyer-spelterwasser-kurstlich-himbleeisen-bahnwagen-gutenabend-bitte-ein-nürnburger-bratwustle-gerspurten-mitzweimache-luber-hundsfut-gumberaber-shönendanker-kalbsfleisch-mittler-aucher von Hautkopft of Ulm?